RMG Exposed Video Re-Cap

This video post comes to us from our guest blogger, Raechel Bonomo. Raechel is an Oshawa native, art enthusiast and second-year Print Journalism student at Durham College.

RMG Exposed is the RMG’s annual photography fundraising auction to support educational programming at the RMG.

The event was held on Saturday 22 November, 2014 in Oshawa, Ontario at the Robert McLaughlin Gallery and featured a live and silent art auction by Steven Ranger of Waddington’s, musical entertainment by the Lohrwoods, a photo booth by Photostar and fine food by Pillar’s Catering.

Video courtesy of Raechel Bonomo. Above image courtesy of Grant Cole.

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RMG Exposed Prize Winners

Congratulations to the prize winners of RMG Exposed 2014! Thank you to everyone who submitted photographs and to our jury.

Prize: CIBC Wood Gundy Emerging Photographer Award
Sponsor: CIBC Wood Gundy
Winner: Lora Moore-kakaletris
Photograph: Andreas (pictured above)

Prize: Best Photo Journalism/ Documentary
Sponsors: Canon and Henry’s
Winner: Farhana Haque
Photograph: Caught in a Web (A young fisherman repairing his net)

Prize: Best Landscape/Nature/Architecture
Sponsor: Bau-Xi Gallery
Winner: Leif Petersen
Photograph: The Road Through

Prize: Best Conceptual/Non-representational
Sponsor: Waddington’s
Winner: Laura Crowell
Photohraph: Audrey Moment

Prize: Best Youth
Sponsor: Robert Aldsworth Photo World
Winner: Alessandra Cirelli
Photograph: Untitled

Prize: Community Choice Award
Winner: Marie Heintzman
Photograph: Bison Ridge 02

Interview with Pete Smith – The first Gallery A A.I.R.

“Hot Topics” blog posts come from the desk of Sam Mogelonsky, our Communications & Social Media Coordinator.

From December 1, 2014 to February 1, 2015, Gallery A will welcome its first Artist in Residence (A.I.R.) Pete Smith. The RMG caught up with Pete to discuss his upcoming residency and plan of work while at the RMG. Keep watching this space for updates on his project or visit the gallery! For more information about his project, visit www.jmdrp.ca



RMG: Hi Pete! Firstly, who are you? What is your work about?

PS: I am an artist, writer and educator who lives in Bowmanville. Primarily rooted in painting (and the discourse that surrounds it’s contemporary production), my work negotiates the intersection between the analogue and digital, the painterly and the graphic, the human and the post-human. In this sense, I consider my works metaphors for the overall digital presence in contemporary life.

RMG:  What inspired you to make work?

PS: My current interest in digital technology as a conduit for image making came through a course I was asked to teach at OCAD University. In this class, I was required to learn the Adobe Flash animation program. It ended up completely changing my art practice (and really my life, quite frankly.)

petesmith1

RMG: Why were you interested in the Gallery A residency at the RMG?

PS: I was approached about the program last winter, and it sounded like a lot of fun. As an educator and a parent, I’m pretty limited in terms of artist residency opportunities. Consequently, I’ve never done one before. The fact that it was at such an amazing public institution with such a rich history of supporting Canadian abstract painting made the opportunity even more exciting. It sounds kinda trite and cliché, but I really am just so happy to be here.

petesmith3

RMG:  What will you be doing during your residency? What do you hope to achieve?

PS: Hopefully a whole lot. Elizabeth Sweeney, (Manager of Public Programs and ArtReach), asked me to do something I hadn’t done before… So I’m definitely doing that here. The basic idea is that I will be remixing the RMG’s permanent collection of works by Jock Macdonald. Originally, my show was supposed to run in February concurrently with that exhibition. Things have changed a bit from that (it now opens in January), but there will still be some overlap with the Macdonald survey show. Linda Jansma and I will be giving our talks on same day.

petesmith2

RMG: Can you tell us a bit more about your Jock Macdonald re-mix video? What was the inspiration for it and how did you make it?

PS: The Jock Macdonald animation is called “JMDRP_2(Double Parker Mix)”. It was made in flash animation. The music is a mash-up I made of a Charlie Parker song. It’s two versions of the same song that have had their time signatures manipulated played over top of each other at the same time. All of the imagery that I make during my 9 week residency will be rooted in still imagery selected from this animation. JMDRP stands for Jock Macdonald Remix Project.

Video stills taken from: https://www.youtube.com/watch?v=NavQPS1tMOU&feature=youtu.be. Copyright Pete Smith, 2014.

Pete Smith is an artist, critic and sometimes curator based in Southern Ontario. He has exhibited his work extensively since completing his BFA from York University in 1998 and his MFA from the University of Guelph in 2007. Recent solo exhibitions include: Blind Carbon Copy at P | M Gallery in Toronto (2012), New Drawings at Colorida Gallery in Lisbon (2012), Newspaper Drawings at Joan Ferneyhough Contemporary in North Bay, Ontario (2010) and Proverbs for Paranoids at Elissa Cristall Gallery in Vancouver (2009). Smith has given public presentations on the state of contemporary painting as well as on his own work at The University of Western Ontario (2009), OCAD University (2007), The University Art Association of Canada Conference (2007) and the University of the Fraser Valley (2008). His writings on art have appeared in Canadian Art and Border Crossings magazines. He has held teaching positions at The University of Guelph, The University of Western Ontario and The University of Toronto. Currently, he is a lecturer in the Drawing and Painting Department at OCAD University. Visit http://www.petesmith.ca.

Noel Harding is the recipient of the TORONTO 2015 Public Sculpture Commission

The Robert McLaughlin Gallery (RMG), in collaboration with the City of Oshawa, is excited to announce that artist Noel Harding will be commissioned to build a site-specific sculpture in celebration of the City’s participation in the TORONTO 2015 Pan Am/Parapan Am Games.

The sculpture will be installed in the spring of 2015, adjacent to the General Motors Centre (GM Centre), Durham Region’s premier sports and recreation facility, and the venue of the boxing and weightlifting events at next year’s TORONTO 2015 Pan Am/Parapan Am Games. The final commission consists of a $150,000 budget, which includes all fees, materials, fabrication and installation costs. The cost of the commission will be provided through the RMG’s restricted Acquisitions Endowment.

“The Selection Committee was impressed by Noel Harding’s submission that shows a real understanding and appreciation of the site and intentions of the project. The RMG is thrilled to be able to facilitate this exciting addition to our downtown,” said Gabrielle Peacock, Chief Executive Officer of The Robert McLaughlin Gallery.

As an artist, Noel Harding produced video art in the 70’s, video projection and installation in the 80’s, kinetic installations and sculpture as theatre in the 90’s. His work for the last 20 years is in public art where landscape and environment are paramount. In general, his work is an engagement in public urban realities: planning, envisioning, and mapping.  He has exhibited and lectured internationally and his work is included in collections at the Vancouver Art Gallery, the National Gallery of Canada, the Art Gallery of Ontario, the Museum of Modern Art in New York, the City of Amsterdam and the Hara Museum, Tokyo. Visit the artist’s website.

The commission installation is set to take place by May 15, 2015 and the RMG will be posting updates about the commission as it develops. Please visit http://www.rmg.on.ca/gm-sculpture-commission.php for more information.

Vintage Oshawa Photo Blog

“Hot Topics” blog posts come from the desk of Sam Mogelonsky, our Communications & Social Media Coordinator.

Have you visited vintageoshawa.tumblr.com? Every Thursday for #ThrowBackThursday we will be posting a photograph from the Thomas Bouckley Collection on the blog, as well as on our facebook page. These are amazing images that show the exciting history of our community.

The Collection was donated to the RMG by the late Thomas Bouckley, amateur historian and collector of Oshawa’s history. The entire computerized collection comprises over 2,300 historical photographs of Oshawa and about 100 works are featured in three exhibitions per year. Click here to Browse the online database.

The Vintage Oshawa blog is a place to share Bouckley historical images, as well as a place for residents of Oshawa to share their vintage photographs of Oshawa’s past, helping to create a visual history of the city. Please submit your images and caption information to help us grow this online collection. Questions? Submit your photo!

 

Image: R.S. Williams Piano Workers, 1910

 

RMG Exposed is this weekend!

This Saturday November 22nd is RMG Exposed! We are so excited to be hosting this event and showcasing the fantastic photography from our community.

Join us for 1960’s inspired nibbles and drinks as your check out the auction. Then bid early and bid often on the great works up for auction. Wear your finest sixties mod attire and we’ll see you there!

For more information, please visit rmgexposed.com

Thanks so much to our sponsors for their generous support of RMG Exposed and without whom the event would not be possible.

sponsor wall vinyl-nov19

The RMG Remembers

Today the RMG remembers Canada’s fallen. With 2014 marking the 100th anniversary of World War One, we have the following special programming at the gallery:

Oshawa and the First World War: Selections from the Thomas Bouckley Collection
Until 18 January 2015

When Canada entered the Great War on August 4, 1914, the lives of Canadians across the country were changed forever. For the men who fought on the frontlines and the families that supported them from the home front, WWI was unlike anything Canadians had experienced. Canada’s contribution to the war led to growing autonomy and independence for the nation, but it came at a great price and many Oshawa men lost their lives.

The building of the new Oshawa Armouries was completed in 1914, and by September 1916, men from across Durham Region joined Ontario County’s 116th Battalion. They went on to fight in some of the great battles of the war including Vimy Ridge, Valenciennes and Passchendaele. On the homefront, local businesses worked hard to contribute to the war effort by manufacturing goods to support their family members, friends and neighbours fighting overseas. The Thomas Bouckley Collection’s large number of photographs taken in Oshawa during World War One act as a reminder of the great sacrifice that was made by the Oshawa community.

This exhibition is a part of the WWI Commemorative Project: Oshawa Faithful and Ready. The RMG, the Oshawa Community Museum & Archives, Trent University (Oshawa), Oshawa Public Libraries, Ontario Regiment Museum, Heritage Oshawa, City of Oshawa and Rogers TV have partnered to deliver an ambitious program throughout the year that commemorates the 100th anniversary of the beginning of WWI. Curated by Megan White.

Exhibition: The Wildman Collection: Posters from the Great War
Until 1 February, 2015

With a population of approximately eight million people, Canada, during World War I, managed to raise an army of 600,000, a navy of 9,600, send over 20,000 men to serve in the British Royal Flying Corps and over 3,000 nurses with the medical corps. There were approximately 60,000 Canadian military casualties and close to 150,000 wounded from 1914-1918.

Propaganda posters played their own role during the Great War. A relatively inexpensive means of mass communication, posters were primarily used to promote enlistment in the forces, raise funds through Victory Bonds, encourage the population against waste, and increase industrial and agricultural production. The tone of early posters was almost festive, as the Allies assumed the war would be over quickly. The images were often naïve and word heavy, appealing to the pride of the young men they were targeting. However, as the war continued and the list of casualties grew, the tone of the posters began to change—the need for new recruits was urgent.

The Wildman collection of war posters was initially a secondary collection: around 1998 Christine and Craig Wildman, both history enthusiasts, decided to augment a collection of rare ephemera with related war posters. The poster collection now numbers over 100, and encompasses posters from both Allied and Central Power countries. We are grateful to the Wildmans for sharing their passion as part of RMG’s commemoration of the beginning of the Great War. Curated by Linda Jansma.

Collectors Talk: Craig Wildman
Thursday, 13 November at 7pm
Join to learn about the history of WWI posters and their use as a form of mass communication. Local collector Craig Wildman takes us through his and his wife Christine’s collection of posters featured in the exhibition The Wildman Collection: Posters from the Great War. This lecture is part of the 100th Commemoration of WWI: Oshawa Faithful and Ready programing happening throughout the year. Free admission, no registration required.

Lecture: Nursing Sisters of WW1 
Sunday, 30 November from 1-2pm
Nursing Sisters of WW1: a presentation by Sher Leetooze. This talk is being held in conjunction to The Wildman Collection: Posters from the Great War.

 

Image: Anonymous Bring him Home with the Victory Loan, 1918